Showing posts with label Batman Batman: The Return. Show all posts
Showing posts with label Batman Batman: The Return. Show all posts

Sunday, February 13, 2011

Days Gone By: A Surprisingly Long Post About Wizard Magazine

Wizard Magazine is now defunct. It happened just shy of a month ago. For comic fans this is now old news. For the print industry these days such a thing is also old news.

Today I came across a significant issue of Wizard on my bookshelf while searching for my lost shaker of salt, as they say. I was in the middle of drawing a page for Teuton #2 when my mind hit a wall. Life is like that sometimes. It was like that today. All one can do is relax and regroup. So I relaxed and sought inspiration on my bookshelf.

My shelves are packed with books--graphic novels, photography collections, magazines, assorted art books. Standard stuff, I'd say. My fingers skimmed blankly along the spines of my collection and stopped in a depression like a car running into a ditch. That's where my significant copy of Wizard was, slipped between two larger magazines, unseen but still traceable in a funny sort of way. I flipped to the "Magic Words" section where my decorated envelope was printed for all to see.

Yes indeed. On October, 2004 in issue #156 of Wizard Magazine, my art had seen print, thus accomplishing a boyhood ambition of mine. More interesting however was that I had no idea it happened. There's a funny story to it. Isn't there always?

There were few other children in the building I grew up in and we knew so few of our neighbours. It was the kind of building people scrimped and saved to get out of, not the kind people put big down payments to get into. It had a billiard room I wasn't allowed in. People smoked and drank and cussed in there. Incidentally, years later I would smoke and drink and cuss in there, and never win a single game of pool, too. Go figure.

One family we became well acquainted with were Italian immigrants. The husband and wife worked as the building superintendents. My family and I would go over to their house for dinner often enough and would be treated to home cooked Italian cuisine. I love Italian food, but back then all I wanted was the parmesan, so much of it I couldn't see the red sauce below. I was only a lad of seven or eight. Their son had a good fifteen years on me. To this day he had the largest comic collection I have ever seen. Naturally he was my hero.

So it became my habit to skip over to our superintendent's apartment, sometimes without telling my Mother, to wait for her son to arrive home while she fixed me something to eat. I recall the tinny sound of a mandolin over a radio and hot bowls of pasta placed before me. And of course the small mountains of parmesan I made that poor woman grate until I was satisfied.

I try to imagine the son's dismay at finding me there in his home time and time again; a freckle-faced, curly-headed ginge no thicker than a strand of hay and paler than the mound of grated cheese he sat behind. I was eager for him to show me his comics. On his bedroom wall hung the pure decadence of 90's comic books: foil stamped, holograph covers that signaled an anniversary issue. Jim Lee pin-up gatefolds of a bold new line-up of X-Men. Or the latest by Todd Mcfarlane--in this issue Spawn dies, in that issue Spawn lives, all while moping in a back alley. It was Mecca. I was never allowed to touch or hold these books, mind you, but he was kind enough to indulge my curiosity as to what their interior pages contained. "Here Cable is revealed to be Stryfe," I remember him saying. It was all music to my ears.

Stryfe lived on the moon and was the evil clone brother of a time traveling psychic cyborg warrior sent to our present to prevent his future. It made perfect sense to a boy who then couldn't grasp multiplication.

Here I will take a merciful shortcut. Afternoons-turned-evenings with this young adult and his treasure trove of comics would almost always end in a drawing session at the dining room table next to a stack of Wizards.

For the consideration of the uninformed: Wizard Magazine had a section called Magic Words that featured copious letters from readers and, more importantly, elaborately decorated envelopes. Fan-art, basically. Back then Wizard chose five a month to be featured in Magic Words, with one shining above the rest. It would get a prize or some piece of crap. In later years the magazine would only feature one such envelope and I doubt the sender was awarded in any way. I wasn't.

There we sat, drawing super heroes on all this goodly Italian mama's stationery until one of my parents phoned demanding I come home. I doubt any of those envelopes I drew were ever sent since I don't remember finishing them. I'd always have to run home and would start a new one another night.

Later it became a summer ritual to sit down and seriously draw an envelope or two for Wizard. Each summer was the one it would happen. Now obviously it did happen eventually. When it finally did I was a year out of high school with zero prospects. I had recently become acquainted with a girl who possessed marvelous green eyes that I'd fall hopelessly in love with. I was obsessed with Kill Bill vol.1 and the only thing on my horizon was seeing Kill Bill vol.2. Exciting times, to be sure. Out of boredom I concocted a story in my head about The Bride meeting Wolverine in a barroom brawl. The envelope became an amalgamation of the two characters. Like all my letters, I sent it in and never heard back. It was the time I ever sent a letter. A year or so after that the publication quit with the envelopes altogether.

In 2008 I found the copy containing my envelope completely by chance in a BMV near the corner of Bloor St. and Spadina Ave. My then girlfriend, now common-law wife and mother of my child, worked nearby at a travel agency. I was killing time until her shift ended. BMV had many old magazines and quite a few old Wizards sitting in bins in their basement level. I picked one at random. Imagine my surprise. I reacted as if I had won the lottery. When I purchased the magazine upstairs I half expected the cashier to be starstruck by my presence. I was in a magazine, after all. Of course that wasn't the case. Of course I marched right into my girlfriend's work and made a big deal about it to her and the lovely ladies she worked with. And of course they had no idea what I was talking about.

My thunder couldn't be stolen. I went to several comic shops that week, inquiring whether they carried old Wizards. You'd be damned if I didn't mention why I was looking for them. I must have appeared quite ego-maniacal to the shop-owners. Would they be wrong? I just realized how long this post about my own glory has become.

Nevertheless, it was a great unsung victory for me personally. For a short time I felt like just a little boy drawing super heroes and not wanting to do anything else in the world.

In the span of microseconds whole chapters of my life unfolded in my mind's eye. When it was over I tucked the magazine away in its slot between the two larger ones. I realized then I am still that boy, drawing comics and not wanting to do anything else besides. The difference being now I have a young one of my own who scribbles in my old sketchbooks with crayons and calls my Batman coffee mug "Ba-Ba." Richer or Poorer, I'm doing what I've always wanted.

Wednesday, November 17, 2010

New Comic Book Day 11.17.2010 - BATMAN!

I was only compelled to buy three of the many comics that went on sale today. Two of them are Batman titles. This comes as no personal surprise because I'm a rabid Bat-fan. Moreover, I've been closely following Grant Morrison's sprawling Bat-Odyssey every step of the way. Last week saw the final installment of The Return or Bruce Wayne, which was also the final chapter on a much larger over-arching story. Exciting times!

While you can argue that Morrison's run on his numerous bat-titles haven't been perfect, there's no denying that his meticulously plotted stories have been a challenging and compelling read that not only breathed new life into long forgotten cannon, but also reinvigorated the Bat-Mythos for future stories. I believe for every reader of Batman--or any major character otherwise--there are passages in the characters history they'd prefer not to acknowledge. As we build our collections we pick and choose what events mattered and which we turn a blind eye to. With Morrison's run, however, I was tasked as a reader to delve into earlier eras of Batman's long continuity to uncover the roots of stories like Batman and Son, or R.I.P., and even Return of Bruce Wayne. Stuff I wouldn't normally have enjoyed or been aware of became significant in a contemporary fashion. It was an immersive experience and I thoroughly enjoyed the ride.

Now a new chapter begins within the pages of Batman: The Return (a one-shot) and Batman Incorporated (new on-going series), both of which I was at first skeptical of. Undoubtedly the new direction seemed like a bold one (a Batman in every country), but like so many long-time readers I was wary of change. First of all, the title Batman Inc. sounded a little tacky. The concept is not a completely original one, although it has not be thoroughly explored, and so I wondered how Incorporated would fit alongside everything that has come before it. With Return I was cagey about David Finch's art. Finch is a legitimate superstar in comics and for good reason. His heavy, gritty style has elements of a 90's Todd Mcfarlane and carries--in this issue particularly--a similar moody and horrific quality as Bernie Wrightson. My problems with Finch's artwork fall with his proportions and his tendency to make his characters too weathered and grisled. Fortunately both titles surpassed my expectations.


BATMAN: The Return

In Return, Finch's art proved a fine fit for the script. I was mesmerized by the opening pages where Morrison brilliantly gives a poignant back story to the Bat that inspired Bruce Wayne to become Batman. I have wondered before, "why would a large bat randomly crash through a window?" It's a small detail in the scheme of things but I loved it that it's been addressed. With the climax of The Return of Bruce Wayne still fresh in my mind, the issue follows Bruce on his curiously foreboding "to-do" list. Throughout the issue I was reminded of obscure future visions seen in Batman #'s 666 and 700, and the fact Bruce had a glimpse of things to come while at the outpost at the end of all time. Also in this one-shot there's a new ominous villain and allusions of their nefarious winner-take-all plan. With dark and terrible forces over the horizon, Bruce Wayne goes on the offensive and tirelessly takes steps to prepare himself and the Bat-Family, who are unaware of what's coming. Part of this plan involves recruiting a Batman in every major city on the planet. It is then he appoints Dick the Batman of Gotham and permits Damien to stay on as Robin. The book ends with the perfect lead into Batman Incorporated...


BATMAN INCORPORATED

This title was a whole whack of fun. I truly do believe that artist Yanick Paquette made this book come together. His energetic, Kevin Nowlan inspired drawing style feels fresh and yet familiar in the world of Batman. After being blown away by his Pirate-Batman entry in The Return of Bruce Wayne, I very much wanted to see him on Batman and Robin. As fun as that sounded, his art in Incorporated is just so exciting. Grant Morrison revels in introducing new heroes from other parts of the globe, something he did incredibly well with the International Bat-men in his Black Glove arc earlier on. In this book we are brought to Japan as Batman looks to recruit Mr. Uknown. Little does Bats know, a ruthless villain by the name of Lord Death Man has sinister plans for the local Japanese hero. What I especially love about this first issue is Yanick's character designs for everyone in this book. Batman's suit is tactical, functional, reminiscent of the Christopher Nolan films. Lord Death Man, who steals the show along with his henchmen, are a celebration of the 60's Bat-Manga craze and all its camp. I also really enjoyed the relationship between Batman and Catwoman, which in this book is fun, exciting and frothing with sexual tension which I am positive gets released somewhere in the gutter. This book takes on the tone of the successful Nolan films and the style of James Bond, which makes for a solid first issue and I cannot wait for more. Whatever Grant Morrison has in store for Batman and his readers, I'll be there with bells on.